Sous la chaleur timide d’un matin d’Octobre, le sol s’étire et expire une couche de brume comme un soupir. S’élevant vers le ciel qui les appelle, les gouttelettes se prennent aux aux herbes longes que le contre-jour couronne de lumière. L’horizon se dilue comme une aquarelle au passage de l’eau que le ciel rappelle à lui. La nature retient les nuages entre ciel et terre.
In his book Writing Better Lyrics, songwriter Pat Pattison recommends the practice of “object writing” as a way to improve our writing technique. Strong writing skills liberate us to express our unique creative ideas, not only in songwriting but in every form of creative expression. Creation is a deep dive into our senses and memories to retrieve gems buried in the sediments lying at the bottom. The deeper the dive, the better our senses, memories and experiences have mixed and integrated each other. Object writing is a diving technique by which we focus our senses on a object and describe it using all our senses: sight, smell, sound, taste and touch, adding to it the organic feel of the whole and the kinesthetic sense, the sense of relation of the object with the world around us.
I took up the practice of object writing last year when I started reading Pat Pattison’s book and I got stalled at chapter 1. Today I added a new “Poetry & Photography” category to my blog to catalogue the writing exercises suggested in Writing Better Lyrics. The first-level end goal is, of course, to write lyrics I am not mortified to share, leading to the second-level end goal of finding a musician willing to put them to music. Writing Better Lyrics has helped me improve my creative writing in general and it’s my hope that more regular practice will help me speed up the process of putting ideas to paper.