Hey everyone! Long time no podcast!
Yesterday my husband took our teenage daughter out on a movie date and I took the opportunity to record a new podcast. I rarely record when my husband and teens are in the house because someone always crashes into the room I’m using to tell me something wholly irrelevant to the topic I’m discussing. Like “I’m going to bed” or “Can I have gas money.” I guess this is where the dedicated studio with the “On Air” light came from. At some point my dishwasher sounds like I’m flushing a toilet but otherwise the sound quality is half-decent.
In this podcast, I reflect on the nature of crowdfunding and why I don’t feel comfortable charging my patrons for the quality of product I’m releasing. There is an awkward-teenager phase to growing a blog or a podcast where you make some money but not enough to hire help, learn a new skill, or buy better equipment, let alone leave your day job. The result is something that should sound professional — because I am paid for it — but doesn’t.
The question I had to ask myself as a creator was: “Is the forward momentum of my blog and website strong enough to justify pushing through the awkward-teenager phase?” Does the trajectory of my podcast suggest that I will someday earn an income and build a professional presence on the web? To me, the end goal of having patrons is not to support my hobby, it’s to make writing and podcasting my profession. The money I am currently squeezing out of my patrons doesn’t allow me to move out of the hobby realm into the professional realm, and the trajectory of my crowdfunding efforts doesn’t suggest that it will for another 4 years. That’s way too long to expect my early supporters to humour me.
In the second part of the podcast, I talk about a trip to France I made last summer with three of my children. I reflect on the ties that bind us to our kin, despite time and distance, and the importance of building a strong family culture and identity.
Hey Vero 